Ranking the Wrong Turn Movies

        Welcome back friends to another movie ranking post.  Previously we took a look at the entire Alien franchise.  Today we’re going to be looking closely at all 7 movies in the Wrong Turn franchise.  This will, of course, include all 6 movies in the original series as well as the "reboot" movie of the same name.  The Wrong Turn series follows a family of deformed cannibals living in the Appalachia mountains.  

         As in the previous Alien ranking post each movie will receive a score of 1-10.  Of course these are completely my own opinions and you may of course you may completely disagree.  If you would give any of these movies a different score comment them down below in the comment section.  I would love to near what you think as well.

        Alright, it's get started. We'll start with the 6 original movies before end ding with the newer reboot.  Let's dissect a horror cult classic possibly at its finest. 

Wrong Turn

7/10

        Wrong Turn directed by Rob Schmidt, is a classic survival horror film that delivers suspense, terror, and shocking moments, cementing itself as a cult favorite. Starring Eliza Dushku and Desmond Harrington, the movie takes viewers into the dense woods of West Virginia, where a group of stranded travelers encounters a family of grotesque, inbred cannibals. The film sets up its premise with minimal exposition, allowing the tension to build immediately as the characters’ struggle for survival becomes the core of the plot. The setting, isolated and claustrophobic, adds a layer of dread that keeps audiences on edge from the very beginning.

        What sets Wrong Turn apart from other horror films of its time is its relentless pace and the brutality of its kills. The movie’s practical effects and makeup work effectively to create gruesome and visceral death scenes, some of which are genuinely surprising. The unpredictability of the plot, combined with the film’s high tension, ensures that viewers are constantly questioning who will make it out alive. While some characters may fall into familiar horror stereotypes, both Dushku and Harrington bring a solid level of intensity to their roles, keeping the viewer invested in their fate.

        Though it wasn’t a box office hit, Wrong Turn has since gained a strong cult following, spawning several sequels and a reboot. Its ending is satisfying in delivering what horror fans expect—survival for some—but also leaves enough ambiguity to set up future installments. Scoring a respectable 7/10, the movie isn’t groundbreaking, but it excels in what it promises: high-stakes thrills, gory deaths, and a tension filled ride that horror aficionados will appreciate. If you’re a fan of slasher films with a backwoods twist, Wrong Turn is worth a watch.

Wrong Turn 2: Dead End

 5/10

        Wrong Turn 2: Dead End attempts to build on the success of the first film by introducing a new setting and a fresh group of cannibalistic killers. Directed by Joe Lynch, the movie follows a group of contestants on a survivalist reality show who unwittingly become prey for a family of inbred mutants in the backwoods of West Virginia. While the change in killers from the original three brothers could have offered an opportunity for more depth and variety, it unfortunately falls flat. The new villains lack the same memorable presence, feeling more like a generic threat than the distinct horror icons introduced in the original.  Which is why I believe the writers went back to featuring the Hillicker brothers in later films.

        The movie does offer an interesting setup with its reality show twist, but it quickly devolves into familiar territory with underdeveloped characters who fall into tired stereotypes. From the arrogant producer to the tough-as-nails ex-soldier, the contestants feel more like caricatures than real people, making it hard to root for their survival. Though the setting of the show adds a new layer of chaos to the chase sequences, the lack of engaging personalities undermines the tension, and it becomes difficult to care about who makes it out alive.

        One of the biggest weaknesses of Wrong Turn 2 is its lead character, who struggles to be the film’s “final girl.” Instead of being someone the audience can root for, she starts off more abrasive and unlikable, making it difficult to connect with her as the film progresses. This confusion over who the final girl was supposed to be only adds to the movie’s lack of clear direction. Scoring a 5/10, the sequel isn’t without some moments of gory fun, but it ultimately lacks the cult-making charm of the original. While it’s not the worst in the franchise, it doesn’t quite live up to the potential set up by its premise.

Wrong Turn 3: Left for Dead

5/10

        Wrong Turn 3: Left for Dead continues the franchise with a prison transport gone wrong, leaving guards and convicts to fend off cannibalistic killers in the Appalachian wilderness. The premise offers some potential for tension and chaos, but the film ultimately feels like a middling entry in the series. While the setup of dangerous prisoners clashing with law enforcement in a deadly game of survival should have provided more gripping stakes, it falls flat due to lackluster character development and uninspired dialogue. The tension that could have been built between the convicts and guards quickly dissolves as the characters come off as more irritating than engaging.

        One of the biggest issues with Wrong Turn 3 is how seriously it takes itself compared to its predecessor. Where Wrong Turn 2 embraced its campiness and leaned into dark humor, this film goes for a grittier tone but struggles to maintain the intensity or dread needed to make it work. Instead of building suspense, the characters’ constant bickering and poor decision-making detracts from any real sense of danger. The prisoners, who could have been morally complex antiheroes, are largely annoying, making it hard to care about their fates or root for anyone’s survival.

        The film also suffers from a disappointing mid-credit scene that reveals a twist, shifting the viewer’s perspective on certain characters—but not in a satisfying way. It feels more like a cheap trick than a meaningful plot twist, leaving a sour note as the movie closes. And, for many horror fans, the unnecessary killing of the dog adds another strike against it. Scoring a 5/10, Wrong Turn 3: Left for Dead doesn’t offer much beyond a few gory moments, failing to capture the balance of tension and fun that made earlier entries stand out. It ends up being just another forgettable installment in the franchise.

Wrong Turn 4: Bloody Beginnings

7/10

        Wrong Turn 4: Bloody Beginnings offers a fresh look into the origins of the franchise’s infamous villains, the Hillicker brothers, providing a prequel that dives into their bloody backstory. Set several years before the first Wrong Turn, the film follows a group of college students who find themselves stranded in a snowstorm and take shelter in an abandoned asylum, where the brothers were once held. It doesn’t take long before they discover they’re not alone, and the gruesome hunt for survival begins. While the plot is a straightforward slasher setup, the snowy, isolated setting adds a unique layer of atmosphere, making it one of the more visually engaging entries in the series.  The movie certainly benefits from its decision to break away from the franchise’s typical wooded setting, choosing instead to confine the action to the asylum, which adds a fresh sense of claustrophobia and dread. This shift in location not only differentiates it from the previous films but also makes the icy, enclosed environment an effective backdrop for the story, amplifying the tension as the characters have nowhere to escape.

        What makes Wrong Turn 4 stand out, aside from its focus on the origin story, is its embrace of B-movie horror. While on the surface it’s a cheese-filled gore fest, the film knows exactly what it is and leans into that identity. It doesn’t take itself too seriously, and by playing to its strengths—gory kills, campy characters, and a claustrophobic setting—it becomes an oddly entertaining watch. Fans of old-school slasher movies will appreciate its self-aware tone, though it’s certainly not without its flaws. The over-the-top sex scene early in the film, for example, feels cringeworthy and out of place, detracting from the pace of the movie.

        Despite the campiness, Bloody Beginnings manages to deliver a shockingly good final scene that elevates the entire film. The ending is both brutal and unexpected, making for a memorable conclusion that sticks with the viewer long after the credits roll. The title song, “Wrong Turn” by The Blackout City Kids, perfectly captures the tone of the film, tying everything together in a fitting finale. Scoring a solid 7/10, this prequel may not be groundbreaking, but it’s definitely one of the most entertaining entries in the series, second only to the original. It’s a guilty pleasure that horror fans can enjoy for its B-movie charm.

Wrong Turn 5: Bloodlines

3/10

        Wrong Turn 5: Bloodlines tries to set up a wild and entertaining premise with stoner college kids arriving in a small town for a music festival, but it quickly veers into disappointing territory. The early scenes suggest the film won’t take itself too seriously, but it pivots into a grim tone almost immediately, with the festival barely mentioned after the first 20 minutes. Instead, we’re left with two-dimensional characters making increasingly dumb decisions, making it nearly impossible to root for anyone’s survival. The film’s lack of engaging protagonists removes any real tension, leaving the audience disconnected from the horror.

        The Hillicker brothers are joined by Maynard, a sadistic serial killer who enhances their already brutal tendencies. While this could have added a new dynamic, it instead feels forced, and Maynard’s presence only amplifies the senseless violence. The plot revolves around the brothers trying to free Maynard after he is captured by the police, but the film stumbles by giving the otherwise mentally impaired brothers advanced critical thinking skills. Their ability to take out a cell phone tower and power grid feels implausible, given their limited capacity in previous films, breaking any sense of consistency within the franchise’s mythology.

        Overall, Wrong Turn 5: Bloodlines is a gore-filled shock fest without much substance. The excessive violence feels hollow, more concerned with grossing out the audience than adding to the story or characters’ arcs. Scoring a low 3/10, the film is hard to take seriously and lacks the fun, campy energy that has made other entries in the series more enjoyable. While it does feature another track from The Blackout City Kids, “Mercy,” even the music isn’t enough to salvage a movie that feels disconnected from the rest of the franchise and ultimately forgettable.

Wrong Turn 6: Last Resort 

4/10

        Wrong Turn 6: Last Resort manages to slightly improve upon its predecessor, but only by a small margin, leaving it still a lackluster entry in the franchise. The movie follows Danny and his group of friends after Danny learns he has inherited an old, isolated hotel in the Appalachian mountains. While the setup hints at a fresh twist for the series, it quickly devolves into the familiar formula of gruesome deaths and questionable character decisions. The film tries to build suspense around the caretakers of the hotel and their “family” connection to Danny, but it falls short, relying on tired tropes rather than delivering anything truly compelling.

        One of the movie’s central problems is Danny’s increasingly absurd character arc. While his friends immediately sense something is off, Danny becomes inexplicably loyal to the hotel’s caretakers, swallowing their “we’re family” mantra with minimal skepticism. This leads to a frustrating dynamic where his friends are not only battling the killers but also contending with Danny’s bizarre behavior. The tension could have been stronger if Danny’s descent into the killers’ world was more gradual or believable, but the film rushes this transformation, making it difficult to buy into his sudden willingness to let his friends and girlfriend die.

        Even for a film about cannibalistic killers, the most unrealistic element is how quickly Danny embraces the murder spree. After only a couple of days, he’s perfectly fine with the idea of letting his friends be brutally killed, all because these strangers claim to be his family. It’s a suspension of disbelief that the movie never earns, dragging down the plot and character development. Scoring a 4/10, Wrong Turn 6: Last Resort offers little in the way of real horror or tension, instead leaning on tired gore and an unconvincing story, making it an underwhelming addition to the franchise.

Wrong Turn (Reboot) 

6/10

        The 2021 Wrong Turn reboot attempts to reimagine the long-running horror franchise with a fresh approach, but ultimately feels like a completely different film. Directed by Mike P. Nelson, the movie shifts away from the inbred cannibals of the original series and instead focuses on a group of survivalists known as “The Foundation,” who have lived in isolation in the Appalachian mountains since the 1800s. This new group introduces an intriguing concept, but the film’s attempt to tie itself to the Wrong Turn name ultimately feels forced, as it doesn’t capture the gritty, slasher tone of the previous entries in the series.

        The plot centers on a group of friends who venture into the wilderness and accidentally cross paths with The Foundation after one of them kills a member of the clan. While the story had potential, the characters’ actions and motivations often feel contrived, and the film struggles with pacing issues that drag down the tension. The new villains offer an interesting spin on the concept of isolationist societies, but the movie never fully capitalizes on the psychological and cultural complexities that could have set it apart from other survival horror films.

        Scoring a 6/10, the reboot suffers from misaligned expectations. As a standalone movie, it could have been a more engaging and thought-provoking horror film, but by marketing itself as a Wrong Turn reboot, it sets up fans for disappointment. Instead of the brutal, fast-paced slasher they anticipated, viewers are given a slow-burn thriller that doesn’t feel like it belongs in the Wrong Turn universe. The film might have benefited greatly from distancing itself from the franchise entirely, allowing its more unique aspects to stand out without the weight of its predecessor’s legacy.

        That's it for this in depth move franchise review.  I hope you enjoyed reading my thoughts and opinions on the Wrong Turn franchise. If your own opinion and scores differ then comment them down below in the comment section below.

Till next time friends,

Words by Ali

The Importance Of Knowing Before Voting

        As the 2024 election approaches, it’s important for everyone to take part in the democratic process by casting their vote. However, voting is not just about showing up on Election Day—it’s about understanding what you are voting for. Every vote holds power, and to use that power responsibly, voters must be informed about the issues, candidates, and measures on the ballot. Casting an uninformed vote can have consequences not only for you but for your community and future generations.  No matter which side of the aisle you find yourself on understanding what, and who, you are voting for is more important know than ever before.  

        When voting to elect representatives for your state, it’s crucial to do your homework. Take the time to learn what each candidate says they stand for, but also look into their track record. What have they supported in the past? What have they voted for, and how do their decisions align with your values? Understanding a candidate’s past actions can be just as important, if not more, than the promises they make during a campaign. This ensures you are electing someone who not only speaks for your interests but acts on them.  I have seen countless election add this year of candidates telling their votes what they are going to do if they are elected, but my first thought is always, “Why haven’t you already done that as you are in office, or were in office?”

        Equally important are the propositions, or “Props,” on the ballot. These measures can have a direct impact on you, your family, and even future generations. Whether they relate to taxes, public services, or environmental protections, each Prop has the potential to shape the future of your state. It’s critical to take the time to understand what each measure truly means, not just based on surface-level impressions or party endorsements. Voting down the party line without fully understanding these issues can lead to extreme results on either side of the political spectrum—results that may not reflect your best interests or values.

        At first glance, you may support a new proposition because it sounds good on the surface, but after digging deeper, you might find it goes too far or has unintended consequences.  If you find that something your party supports goes against your values and morals then should you be voting for it? On the flip side, you might initially oppose a measure but realize after reading more about it that it’s actually a positive step forward.  The people campaigning for or against these props are only going to tell you the one thing that sounds good, or the one thing that is horrible for your state. Which is why being informed allows you to approach each Prop with a clear mind, free from the influence of knee-jerk reactions or party loyalty.

        In conclusion, being informed is the key to responsible voting. It’s not enough to simply vote—you need to know what you are voting for. Not every measure or candidate endorsed by your party is necessarily the right choice for you or your state. By taking the time to research both candidates and propositions, you ensure your vote truly represents your values and the future you want to see.

Till Next Time Friends,

Words by Ali

Ranking the Alien Movies.

        The original Alien movie appeared on screens back in 1978, and launched the decades spanning career of Sigourney Weaver. Over the past 4 1/2 decades the franchise has spawned a total of 9 movies, and an upcoming tv show, that includes the 2 AVP crossover movies. Like any long lived movie francise it has of course had its ups and downs. Some movies have been markedly better than others while others have fallen flat, and in my opinion some have been more entertaining then the mass give them credit for.

        Today I will be giving you a run down of my personal thoughts and opinions on the different movies. I have recently come off of an Alien movie marathon. As every single one of them can be found currently on the same streaming platform. Well, all except the newest movie, Alien: Romulus. I have seen it, but as of writing this it has yet to come to streaming.  I will be talking about them in order of when they came out, and giving them a score out of 10.

        These are of course all my own opinion, and you may disagree with my ranking or the reasons behind my ranking. Of course that’s fine everyone is entitled to their own opinion. If you’d like you can give me your own rankings down below in the comments. I’d be happy to hear what you think. All I ask is you be respectful of others opinions if they differ from your own. Let’s go ahead and dive right in.



Alien

8/10

        I would rank the original Alien solidly in 2nd place. It is a masterpiece of a first movie, and it’s clear how it was able to spawn such a long running franchise. Alien mastered science fiction horror, combining atmospheric tension, groundbreaking visual design, and an unforgettable antagonist. The film’s minimalist storytelling allows for a slow build of dread, which pays off in terrifying fashion as the Xenomorph hunts the crew of the Nostromo. Scott masterfully utilizes the claustrophobic setting of the spaceship, turning it into a haunted house in space. The iconic creature design also adds to the film’s sense of unease, creating an alien being that is both terrifying and beautiful in its grotesqueness. Sigourney Weaver’s performance as Ellen Ripley, a strong and resourceful heroine, further cemented Alien as a milestone of the horror genre.         However, the film’s slow pace and sparse character development hold it back slightly from a perfect score. The supporting characters, while serviceable, often feel underwritten, serving as fodder for the Xenomorph rather than fully fleshed-out individuals. Additionally, the film’s suspense can feel almost too drawn out at times, potentially losing viewers who prefer faster-paced action. It’s an 8/10 for its bold vision, technical brilliance, and the way it expertly blends sci-fi and horror into a truly unsettling experience.

Aliens

9/10

        I am firmly in the camp that the Aliens sequel is by far the more superior of the Alien movies. James Cameron’s Aliens (1986) takes the foundation laid by its predecessor and builds an even more intense and action-packed experience, solidifying it as one of the greatest sequels ever made. While Alien was a slow-burn horror, Aliens shifts into a high-octane war movie, with Ripley returning to battle not just one Xenomorph, but an entire hive. The film expertly balances tension with explosive action sequences, creating an exhilarating ride that elevates the franchise. Sigourney Weaver’s Ripley is even more developed, transforming into a fearless warrior and maternal figure. Cameron’s ability to blend character-driven storytelling with spectacular action set pieces makes Aliens a relentless yet emotional experience.         While Alien relied on atmosphere and minimalism, Aliens succeeds by expanding the universe and giving the audience more to latch onto, including the fascinating dynamics between Ripley, the Colonial Marines, and the Xenomorphs. The pacing is tight, and the character development is more robust, with memorable figures like Hicks, Hudson, and Bishop adding layers to the story. Cameron also deepens the mythos of the Xenomorphs, particularly with the introduction of the terrifying Alien Queen. Though some might miss the haunting, isolated horror of the original, Aliens is superior in its ability to evolve the series while delivering thrills and memorable moments. It’s a near-perfect blend of science fiction, action, and horror, earning it a solid 9/10 for its ambitious scope and masterful execution.

Alien 3

3/10

        Alien 3 directed by David Fincher in his feature film debut, is widely regarded as the low point of the Alien franchise, and for good reason. The decision to kill off Newt and Hicks off-screen before the film even begins was not only a cruel blow to fans but also undermined the emotional core built in Aliens. This choice felt disrespectful to the characters and their arcs, setting a bleak and disappointing tone right from the start. The film’s setting, a grimy and featureless prison planet, feels claustrophobic in the worst way, and the plot meanders without the tight focus or pacing of its predecessors. The Xenomorph itself, rendered in poor early CGI, lacks the menace it once had, making the horror elements feel uninspired and repetitive.         Ripley’s tragic end, throwing herself into a furnace to prevent the birth of the Alien Queen, feels almost symbolic of the franchise’s near-demise. While Sigourney Weaver gives her all in another strong performance, the movie’s somber tone, lack of compelling new characters, and muddled execution overshadow her efforts. The studio interference and production troubles are well-documented, and the film ultimately feels like a rushed and incoherent entry in a franchise that deserved much better. With its bleak atmosphere and frustrating narrative choices, Alien 3 earns a 3/10, as it nearly derailed a beloved series and failed to live up to the legacy of its iconic predecessors.

Alien Resurrection

6/10

        Alien: Resurrection is often criticized as a low point in the franchise, but I would argue it deserves more credit for embracing its chaotic, almost absurd tone. Unlike the bleak seriousness of its predecessors, Resurrection feels more like a darkly comedic, B-movie-style romp, with director Jean-Pierre Jeunet bringing a quirky, surreal flair to the film. The cloning of Ripley and the strange blend of human and alien DNA might stretch credibility, but if you approach the film as a campy, over-the-top sci-fi adventure, it becomes surprisingly entertaining. The action sequences are wild, the Xenomorphs are more grotesque than ever, and the film’s bizarre set pieces, such as the underwater chase, make for a fun, visually engaging experience.

        One of the most controversial elements of Alien: Resurrection is the introduction of the alien-human hybrid, often referred to as the “alien baby.” This creature, a result of Ripley’s altered DNA, is widely seen as a low point in the film, with its design coming off as more grotesque and unintentionally comedic than terrifying. The emotional moment where it perceives Ripley as its mother before being brutally killed feels bizarre and out of place in the franchise. Many fans found this creature to be a major misstep, symbolizing the film’s departure from the fearsome horror of the original Xenomorphs and contributing to its overall negative reception.        

        The supporting cast is one of the film’s highlights, with memorable performances from Wynona Ryder as the mysterious android Call and Ron Perlman as the gruff, larger-than-life Johner. Their dynamic adds a much-needed sense of fun and unpredictability to the story, balancing out the more ridiculous elements. While it’s certainly not in the same league as Alien or Aliens, Alien: Resurrection has its own charm as a cheesy, chaotic mess that doesn’t take itself too seriously. It’s an underrated entry in the series for those willing to embrace its absurdity, and I’d score it a 6/10 for being a wild, flawed, but ultimately enjoyable ride.

Alien vs Predator

6/10

        Alien vs. Predator may not have delivered the epic clash fans had hoped for, but it’s far from the disaster some make it out to be. While expectations were high for a grand showdown between the two iconic creatures, what the movie delivered was a fun, serviceable action-horror film that leaned more into spectacle than deep storytelling. The concept of an ancient Predator hunting ground beneath the ice, with humans caught in the middle of the Xenomorphs vs. Predators battle, was a creative setup. However, it left many feeling like it didn’t fully capitalize on the potential for an epic, universe-expanding story. Fans expected something more mythic, but the film’s brisk runtime and limited character development kept it from achieving greatness.         That being said, Alien vs. Predator still has its moments of excitement, with some well-crafted fight scenes and iconic imagery, like the Predator wielding a Xenomorph tail spear. If the film had been longer, it could have expanded more on the intriguing lore it hints at—the ancient rivalry between the two species, the Predators’ role in seeding Xenomorphs for sport, and the human connection to all of this. While it doesn’t live up to its legendary crossover potential, the movie is better than its reputation suggests. For fans who approach it with the right mindset—as a fun action-horror flick rather than a high-concept sci-fi epic—it earns a respectable 6/10 for delivering entertaining, if flawed, monster mayhem.

Alien vs Predator: Requiem

7/10

        Alien vs. Predator: Requiem steps up the AVP mythos by shifting the focus to human characters, giving the audience a more grounded and emotional entry in the crossover franchise. This sequel delivers a darker, grittier tone as a Predator hunts down the deadly Predalien and other Xenomorphs in a small town, bringing the battle to Earth in a more immediate, personal way. By placing more emphasis on the human survivors trying to escape the chaos, the film builds tension and allows for moments of real fear and desperation. This focus on human characters, rather than just the spectacle of the alien battle, adds a layer of emotional depth that makes the stakes feel more urgent and relatable.         However, Requiem also misses the mark in some key areas. While the human focus is an improvement, the film doesn’t take full advantage of its monster mash premise, with limited epic fight scenes between the Predator and Xenomorphs. Fans of the franchise were left wanting more of the intense, action-packed showdowns that make the series exciting, and the film’s dim lighting often obscures what could have been standout moments of creature combat. Despite these flaws, Alien vs. Predator: Requiem earns a 7/10 for expanding on the human side of the story and offering a darker, more grounded take on the AVP mythos, even if it still falls short of its full potential.

Prometheus

5/10

        Prometheus promised to reveal the origin of the Xenomorph, but for many fans, it fell flat by delivering a story that focused more on the Engineers than the iconic alien creatures. The film’s marketing led audiences to expect a deep dive into the creation of the Xenomorph species, but instead, Prometheus took a more philosophical route, exploring the Engineers who supposedly created humanity and their mysterious motivations. While the film introduced intriguing ideas about creation, god-like beings, and the search for humanity’s origins, it largely sidestepped the very creature that made the Alien franchise famous. The absence of any true Xenomorphs until the final moments left fans disappointed, feeling as though the film had misled them about its central premise.

        One of the standout elements of Prometheus is Noomi Rapace’s portrayal of Dr. Elizabeth Shaw, which adds depth and emotional weight to the film. Shaw, a scientist with a strong sense of faith and curiosity, becomes the emotional anchor of the story as she grapples with questions about creation and existence. Rapace’s performance brings vulnerability, determination, and strength to the role, particularly in the film’s intense surgery scene, where Shaw must perform a gruesome procedure on herself. Her character’s resolve and drive to uncover the truth, even when faced with overwhelming horror, makes her one of the more compelling aspects of the film. Shaw’s journey of survival and discovery mirrors Ripley’s toughness, offering a new kind of heroine to the franchise.         Despite the film’s broader issues, Rapace’s portrayal of Shaw is a highlight that helps elevate Prometheus. Her character’s quest for answers about humanity’s origins gives the film its emotional core, even when the plot itself feels scattered. Shaw’s resilience in the face of unimaginable terror provides a human touch that grounds the story, making her arc one of the more memorable parts of the film. Alongside Michael Fassbender’s David, Rapace’s performance helps save Prometheus from completely falling apart, giving the movie a much-needed anchor amid its sprawling, philosophical themes. Ultimately, Prometheus earns a middling 5/10 for its missed opportunities and failure to deliver on the Xenomorph origin story that fans were eagerly awaiting.

Alien: Covenant

6/10

        Alien: Covenant improves on its predecessor, Prometheus, but still struggles to fully hit the mark for fans of the Alien franchise. One of the most disappointing aspects of the film is the decision to kill off Dr. Elizabeth Shaw before the movie even begins, mirroring the same mistake made in Alien 3 with Newt and Hicks. Shaw was a standout character from Prometheus, and her death feels like a missed opportunity to continue developing her arc. This choice left fans frustrated, as they were once again deprived of seeing a strong female lead evolve within the series. However, Covenant does attempt to course-correct by featuring the titular Xenomorph, which helps restore some of the horror and tension that was missing in the previous prequel. The appearance of the classic creature provides a nostalgic and thrilling element that benefits the film, even if it doesn’t fully make up for the missteps in the story.         One of the film’s highlights is the character of Tennessee, played by Danny McBride, who brings a grounded, likable presence to the crew. His sense of humor and vulnerability offer a nice balance to the darker elements of the story, and he becomes one of the more memorable human characters. Additionally, Covenant benefits from a double dose of Michael Fassbender, who delivers captivating performances as both the sinister David and the more benevolent Walter. Fassbender’s portrayal of these two androids, and their philosophical conversations about creation and destruction, adds complexity to the film, even if the plot doesn’t always hold together. Overall, Alien: Covenant earns a 6/10 for its return to the franchise’s horror roots and the standout performances, but it falls short in terms of character development and plot decisions, leaving fans divided once again.

Alien: Romulus

7/10

        Alien: Romulus brings the franchise back to its horror roots, successfully recapturing the tension and dread that made the original Alien films iconic. With a respectable 7/10, it satisfies long-time fans by focusing on claustrophobic suspense, terrifying encounters with the Xenomorphs, and an isolated setting that evokes the eerie atmosphere of Ridley Scott’s original. The film excels at building tension, slowly unraveling its horror elements with intense, pulse-pounding sequences that remind viewers why they fell in love with the franchise in the first place. The balance between action, horror, and suspense is well-crafted, making Romulus a solid entry that stands out in a franchise often plagued by divisive sequels and prequels.         One of the highlights of the movie is the character of the android Andy, who brought a refreshing take on the franchise’s usual portrayal of androids. Andy starts out with an innocent, almost childlike demeanor, creating a sympathetic and endearing presence that contrasts sharply with the cold, calculating androids like Ash and David from previous films. However, when his programming is altered and he turns into a “villain,” it feels like a betrayal of the character’s potential. While the twist might have been meant to add complexity or surprise, it ultimately left me feeling disconnected from the character and less invested in the story. His initial sweetness and naiveté offered something new and compelling for the series, but the abrupt change felt forced and undermined the emotional connection that had been built with him.

        It was both fun and nostalgic to see Ash’s character make a return in Alien: Romulus, serving as a nod to the franchise’s rich history and connecting it back to the original film. However, the worst part of the movie was the poor CGI used to recreate the late Ian Holm’s performance, which felt disingenuous and did him a disservice. The attempts to digitally resurrect Holm’s likeness lacked the nuance and authenticity of his original portrayal, leaving viewers with a sense of disappointment rather than the admiration that his character deserved.         The film’s ending, with the introduction of the alien baby, was another controversial element. While many fans appreciated the new take, feeling it was handled better than in Alien: Resurrection, I couldn’t help but be reminded of the same flawed concept that plagued that earlier film. Although Romulus executed the idea with more finesse, giving the creature more relevance to the story, the inclusion of the alien baby still felt like a questionable creative choice. It risked repeating past mistakes by diverting attention from the Xenomorphs themselves and introducing unnecessary plot complications. Overall, while Alien: Romulus has its flaws, it remains a strong return to form for the series, earning its 7/10 for successfully reigniting the franchise’s horror roots, even if certain narrative choices left some fans divided.

        Thank you for taking the time to read through my thoughts and opinions on the different high and low points of each of the different movies in the long running Alien Franchise. If you have differing opinions on any of these movies I would love to hear your own thoughts. Comment them down below, and let me know what you think.

        Do you want me to review any other movie franchises? I’d be happy to talk through other different franchises that you’re interested in. That’s all for today.

Till Next Time Friends,

Words by Ali

Brainwashed by Tom MacDonald

Once again it's Tom MacDonald Friday.  This week we finally have a new music video.  We will be taking a look at the newest song by Tom MacDonald "Brainwashed".  Click below to watch the music video before getting into my thoughts and opinions of the lyrics themselves.  As always Tom and Nova are killing it with these phenomenal videos.  Nova is a music video making queen.  

Brainwashed Music Video

Alright, did you watch?  Yes, good.  Now we can get started.

Half the country fell asleep but they scream "woke"

We're distracted by vaccines and TV shows

Politics, celebrity gossip, popular neat quotes

Black lives, white lives, which lives mean most?

We only dedicate one day to remember our fallen soldiers

The men and women who died young

But if you come out the closet as Caitlyn Jenner

You're a hero and you get a whole pride month

There are two parts to look at in the first verse.  Lets begin with the first part.  Here we see Tom equating being woke with being asleep.  He says that people are so distracted by what is on their TV, and what they are being told that they are missing what is going on right in front of them.  And this is so true.  All people want to do is yell about mandate this, mandate that, you have to do this, and if you don't do that.  They don't care about people having the right to choose for themselves, and make their own decisions.  It's only my body my choice if it's part of the left's agenda.  If it's in regards to the freedoms of someone who doesn't agree with them than it's no longer a choice, it's just doing the right thing.  That's not how freedom works.  Either you have it for everything, or nothing.

The second part we see Tom talking about the hypocrisy today of what is considered brave and courageous.  I'm not saying that there is anything wrong with being a part of the LGBTQ community, or that it's not brave to stand up for who you are when others want to tear you down, because it is.  I also don't think that's what Tom is saying either.  The point here is that as a society we no longer celebrate the heroism of the people who have fought and died to protect this country, our freedoms, and our choice to live the lives we want, in the same way that we celebrate Pride month.  Nothing wrong with Pride month, but we wouldn't be able to celebrate it if it weren't for the sacrifices of the men and women in uniform.  Why do we celebrate, and remember them less?  They are the true heroes of our country, because they are willing to give the ultimate sacrifice for it.

The most dangеrous pandemic's propaganda from these clowns

Only mask that's gonna savе us is duct tape on they mouths

Don't speak, we don't need to defund police

Need to defund the media who lies through they teeth, like

Big pharma doesn't cure you, dog

'Cause every patient that gets cured is a customer lost

And big oil runs the world, the only wars that get fought

Are with the countries who have natural resources they want

"The most dangerous pandemic's propaganda from these clowns."  This is true on the next level.  The media is the real problem in this country.  It's no longer news, it's literally all opinion.  When did we get to the point were the new doesn't tell both sides of the story and let the view make up their own minds?  Because that's what the news should be.  It should only be a vehicle for us to know what is happening in the world.  Not for them to tell us what they want you to think.  When I see these 10 or 15 second clips of police violence my first thought is, "Ok, can we see the minutes leading up to this confrontation."  Without context anything can be construed to look like anything you want.  For a little more an this read my Cancel Cancel Culture Post.  The point is we need to duct tape the mouths of all the media personalities and just listen to all the facts.  Because facts don't care about your feelings.

Heard 'em claiming if a white man braids his hair

And likes rap, he's appropriatin' culture

But if a white man acts too white he's white trash

He's a racist, he's a bigot, he's a monster

Let's just have the conversation

Not every liberal is dumb, not all Republicans are racist

The government wants everybody fighting with their neighbors

'Cause they know that if we get along, we'll probably go against 'em

They can't stop us 'cause we're ready to fight

Try to brainwash but we won't let freedom die

The whole world's brainwashed

(Everybody pick a team, start a riot in the streets)

The whole world's brainwashed

(It's us against them, it ain't you against me)

This section leading up to the chorus is so true it's painful.  Society tells people that they can't do one thing because you are stealing someone else's culture, so you do the opposite and now you're a racist and a bigot.  It's gotten so that no matter what you do you are wrong.  Unless you do exactly what Cancel Culture, and the Woke Mob, tell you to you are wrong.  It doesn't matter what you have to say, or what the facts show, they are right which means you have to be wrong.

We now hold everyone to one extreme or the other, and the majority of people on both sides are just normal human beings living in the middle.  Society says if you are liberal you are "Dumb" and if you're conservative you are "racist."  Yes, there are people on both sides that are these extremes, but most people aren't.  It's hard to live in the world right now and have an opinion.  Why?  Because you will automatically be labeled one of these two things just by what you have to say, and that can't be further from the truth.  We need to decide for ourselves what we think and believe and stop letting everyone else tell you what to think despite proof of the opposite.

How did monkeys become people and people turned into sheep?

They put fluoride in the water that's keeping us all asleep

Claim they want what's best for us, I find that hard to believe

'Cause they been selling us cigarettes since we was eighteen

Fake news, fake woke, distract, and divide

You're either right or you're left or you're black or you're white

Big tech don't need a microchip to hack in your life

'Cause the phone inside your pocket is a trackin' device

A lot of people will look at this section and think out that's nothing but a bunch of conspiracy theories, but I think there is a lot of truth underneath the outlandish imagery of it.   There are groups of animal activists out there who think that animals should have the same rights as human beings, and we should all go vegan.  So, monkeys being people is this idea here, and of course sheep is a metaphor for being a blind follower of the herd and not thinking for yourself.  Big Tech wanting to hack your life?  Well your phone is a tracking device.  Just think about it.  You can literally login to the internet and pinpoint your phone to the exact room that it is in if you lose it.  To think that there isn't say a hacker out there who can track you like this using your phone is naive.  Even like 6 or 7 years ago this technology was amazing.  I lost my phone, and I was able to track it to literally the table it was under where I accidently left it after dinner out.  Almost a decade later, or course technology will have advanced.  Have you ever looked at an item online and suddenly Facebook or Instagram is now showing you adds with those items?

And I don't know what I'm more sick of, rappers or Joe Biden

Looking like he ate a hundred Xanax for dinner

'Cause censorin' the president and kicking him off Twitter

Is a bigger threat to freedom than foreign ballistic missiles

You don't trust the police or the government but you want

People giving up their right to own a firearm

Why would you be comfortable if police and the government

The only people on the planet with the right to buy a gun

White privilege getting amplified to reinforce the vision

It convinces white people that they're favored by their skin

And black people getting angry 'cause they're told they're treated different

So the conflict is between us and never with the system

There is a lot going on in this verse.  We won't even touch on the subject of Biden.  But the fact that Big Tech, the media, and the government all seem to think that mean Tweets from former President Trump are a bigger issue than literally anything else going on in the world is ridiculous.  Just the fact that Trump was banned from Twitter, and Facebook, and yet there are Democrats saying the literal same things (and even worse, actual hate speech) but not only haven't been banned but their posts are still up is just disgusting.  The hypocrisy of this double standard is just too much to even wrap my mind around.

Now let's get into the part about guns, but first before anyone says anything about how he must be a gun rights activist who just thinks everyone should own a gun.  Blah, blah, blah.  Stop it.  Tom is able to see and talk about all sides of an argument.  Don't believe me?  I'll link two music videos of Tom's talking about gun violence.  Give those a listen, watch, and come back.

American Dreamz Music Video

How the West Was Won Music Video

Back, good let's talk.  Right now everyone is talking about defunding the police because as the song says, "You don't trust the police or government," but than people want to take guns away from the normal citizen.   You don't trust the police but you want them to be the only people that have guns?  That makes so little sense.  If those in authority are so bad why wouldn't you want to be able to defend yourself?  it's common sense.  But as Tom says in Clown World, "Common sense ain't that common."  And that's a fact.

Let's just have the conversation

Not every liberal is dumb, not all Republicans are racist

The government wants everybody fighting with their neighbors

'Cause they know that if we get along, we'll probably go against 'em

They can't stop us 'cause we're ready to fight

Try to brainwash but we won't let freedom die

The whole world's brainwashed

(Everybody pick a team, start a riot in the streets)

The whole world's brainwashed

(It's us against them, it ain't you against me)

We've already discussed the chorus, so I won't do it again.  But I will say that there are going to be lots of people out there that will hear this song and think well obviously you are the brainwashed ones.  You of course can't convince them of anything.  But I will say this, if you can look at both sides of a story and choose the one that makes the most sense because of the facts, and not just refuse to listen to the other side, than you aren't brainwashed.  You can think for yourself.

Step one, train the people only to consume

Step two, infiltrate adults with the news

Step three, indoctrinate the children through the schools

And the music and the apps on the phones that they use

Step four, separate the right from the left

Step five, separate the white from the black

Step six, separate the rich from the poor

Use religion and equality to separate 'em more

Step seven, fabricate a problem made of lies

Step eight, put it on the news every night

Step nine, when people start to fight and divide

Take control, this is called situational design

What we see here is the recipe for brainwashing the masses, step by step.  These are all ways that people in power, in the media, try to stop people from thinking for themselves.  You only tell people one side of everything, making them think that what they see is the whole truth and not just part of it.  That would be the media.  Making sure it's not just adults, but children, who hear about the one side narrative.  Schools, and social media.  Than we just divide everyone into their own tiny little subset of a group, so that it's everyone against everyone else.  There is so much division in the country right now that even two people who think 99% the same are on seperate sides simply for that little old 1%.  It truly is sad to see, because we could accomplish so much as a nation if we just stopped looking at everyone for their difference and saw what we have in common.

They can't stop us 'cause we're ready to fight

Try to brainwash but we won't let freedom die

The whole world's brainwashed

(Everybody pick a team, start a riot in the streets)

The whole world's brainwashed

(It's us against them, it ain't you against me)

I think that the key phrase in this song is, "Let's just start the conversation."  That is what Tom does in songs like this.  He wants to get people talking about the things going on in the world that society doesn't necessarily want to have talked about.  Those are the topics that we need to be having conversations about most.

That's it for this post.  I hope you enjoyed reading my thoughts and opinions on this song.  Let me know what you thought down in the comment section below.  If you want to check out some of the other songs I've looked at, by Tom, I have linked those posts just below.

Other Tom MacDonald Song Breakdowns

Clown World

Politically Incorrect

Withdrawals

Don't Look Down

Dear Slim

Till Next Time Friends,
Words by Ali